HOLIDAY OF BULLS IN MADRID
The broad circus fills
Of clamorous multitude
That attends to seeing in the sand
The bloody doubtful fight,
And everything in wheel resounds
The beautiful Zaida occupied
His golden viewing-points
That the art filigreed
And with mirrors and flowers
And damasks to it adorned
None to the risk submits
And the fixed bull is in way,
When a herdsman who comes
Of the door of the Vega,
It pushed in the knee, and said:
On a horse alazano
Cutlery of shows and gold,
Demand licenses urban
To spear a bull A Christian gentleman.
jueves, 25 de noviembre de 2010
TEXTS AND AUTHORS DESTACADOS
-NICOLÁS FERNANDEZ OF MORATÍN: YOU WORK: " Holidays of bulls in Madrid " " and the ships of Politely destroyed ".
-JUAN MELÉNDEZ VALDÉS:
You act: Lyric Poetry, The dove of Filis, Of the snow, The illusions of the absence, Rosana in the fires and the Morning of San Juan.
-MANUEL JOSE QUINTANA:
YOU ACT: Poetry, Pantheon of the Dump, To Spain after the revolution of March, To the Spanish expedition to spread the vaccine in America.
EXAMPLE: Nicolás Fernandez de Moratín belonged to the Gathering of the inn of San Sebastian. Someone of his poetical compositions they were the artists' literary sources of his epoch as francisco of Goya. In his poetical production there are odes, sonnets, an epic poem, between others.
-NICOLÁS FERNANDEZ OF MORATÍN: YOU WORK: " Holidays of bulls in Madrid " " and the ships of Politely destroyed ".
-JUAN MELÉNDEZ VALDÉS:
You act: Lyric Poetry, The dove of Filis, Of the snow, The illusions of the absence, Rosana in the fires and the Morning of San Juan.
-MANUEL JOSE QUINTANA:
YOU ACT: Poetry, Pantheon of the Dump, To Spain after the revolution of March, To the Spanish expedition to spread the vaccine in America.
EXAMPLE: Nicolás Fernandez de Moratín belonged to the Gathering of the inn of San Sebastian. Someone of his poetical compositions they were the artists' literary sources of his epoch as francisco of Goya. In his poetical production there are odes, sonnets, an epic poem, between others.
THE NEOCLASSIC LITERATURE
THE LITERATURE OF THE 18TH CENTURY: NEOCLASSICISM
In literature the Neoclassicism was imposed: the illustrated authors b stirrup-straps of improvement of the company, of application of the racionalist thought and of spreading of the knowledge. This explains that there should triumph the classic beginning, based on the harmony and the balance, and that should reject the excesses of the imagination and of the expression that they had characterized to the baroque literature. As it had happened in the Renaissance, the classic art there turned into the model of the ilustrados.uscaron newly aesthetic model who was answering to his aspirations.
LITERARY FORMS
POETRY
The Spanish Neoclassicism searches his models in France and Italy. But the written Neoclassicism is not almost non-existent in Spain, so the same poets who take refuge in his procedure connect also with the creative luxuriance of the Renaissance Spanish literature of the 16th century or take refuge in the taste prerromántico.
The poets of this epoch register in two schools: the Salamancan and the Madrillera. Of the first one Meléndez Valdés and Churches stand out. To the group of Madrid there belong the Moratín father and son, Iriarte, Samaniego, Arriaza and the count of Nonscab.
THE LITERATURE OF THE 18TH CENTURY: NEOCLASSICISM
In literature the Neoclassicism was imposed: the illustrated authors b stirrup-straps of improvement of the company, of application of the racionalist thought and of spreading of the knowledge. This explains that there should triumph the classic beginning, based on the harmony and the balance, and that should reject the excesses of the imagination and of the expression that they had characterized to the baroque literature. As it had happened in the Renaissance, the classic art there turned into the model of the ilustrados.uscaron newly aesthetic model who was answering to his aspirations.
LITERARY FORMS
POETRY
The Spanish Neoclassicism searches his models in France and Italy. But the written Neoclassicism is not almost non-existent in Spain, so the same poets who take refuge in his procedure connect also with the creative luxuriance of the Renaissance Spanish literature of the 16th century or take refuge in the taste prerromántico.
The poets of this epoch register in two schools: the Salamancan and the Madrillera. Of the first one Meléndez Valdés and Churches stand out. To the group of Madrid there belong the Moratín father and son, Iriarte, Samaniego, Arriaza and the count of Nonscab.
NEOCLASSIC POETRY
The 18th century I initiate with the new ideas of the illustration. The writers were doing re unions specialized so called gatherings, to exchange opinions and to express his critiques of everything related to the culture and the literature.
The neoclassic poetry I develop in the 18th century inspired by ideal Frenchmen of the illustration; these there were proposing the return lyric models of the classic Antiquity (odes and eclogues).
CHARACTERISTICS
We can consider four general characteristics of the neoclassic poetry:
- Lack of originality in the poets. The classic models were imitated (Greeks and Latin people) and he was named the prominent figures by names of classic heroes.
- lack of real emotion. One was not finding the depth and energy of the poets of previous centuries.
- use of a very light or too rhetorical and artful language.
- treatment of topics like the love, the political satire and the praise of some progresses of the epoch.
The 18th century I initiate with the new ideas of the illustration. The writers were doing re unions specialized so called gatherings, to exchange opinions and to express his critiques of everything related to the culture and the literature.
The neoclassic poetry I develop in the 18th century inspired by ideal Frenchmen of the illustration; these there were proposing the return lyric models of the classic Antiquity (odes and eclogues).
CHARACTERISTICS
We can consider four general characteristics of the neoclassic poetry:
- Lack of originality in the poets. The classic models were imitated (Greeks and Latin people) and he was named the prominent figures by names of classic heroes.
- lack of real emotion. One was not finding the depth and energy of the poets of previous centuries.
- use of a very light or too rhetorical and artful language.
- treatment of topics like the love, the political satire and the praise of some progresses of the epoch.
SPANISH POETRY: GIVE TORIGINS TO THE CURRENT IMPORTANCEHE
CHARACTERISTICS:
- THE BRIEFNESS: The lyric texts are in the habit of being brief. In any case more brief than the narrative ones.
- THE LYRIC TEXT DOES NOT HAVE HISTORY: In the poetry everything is to the service of what the poet wants to express. Prominent figures can appear in a time and a space, but not that appear in a plot, since in the narrative texts, but in order that across them the poet could express.
-THE LANGUAGE OF THE POETRY: It is, especially, suggestive, since it appeals to the feelings of the recipient.
CHARACTERISTICS:
- THE BRIEFNESS: The lyric texts are in the habit of being brief. In any case more brief than the narrative ones.
- THE LYRIC TEXT DOES NOT HAVE HISTORY: In the poetry everything is to the service of what the poet wants to express. Prominent figures can appear in a time and a space, but not that appear in a plot, since in the narrative texts, but in order that across them the poet could express.
-THE LANGUAGE OF THE POETRY: It is, especially, suggestive, since it appeals to the feelings of the recipient.
lunes, 22 de noviembre de 2010
NICOLAS FERNANDEZ DE MORATIN
FIESTA DE TOROS EN MADRID
El ancho circo se llena
De multitud clamorosa
Que atiende a ver en la arena
La sangrienta lid dudosa,
Y todo en torno resuena
La bella Zaida ocupó
Sus dorados miradores
Que el arte afiligranó
Y con espejos y flores
Y damascos a adornó
Ninguno al riesgo se entrega
Y está en medio el toro fijo,
Cuando un potrero que llega
De la puerta de la Vega,
Hincó la rodilla, y dijo:
Sobre un caballo alazano
Cubierto de galas y oro,
Demanda licencia urbano
Para alancear un toro
Un caballero cristiano.
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